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Home / Books / Nonfiction / Entertainment & Performing Arts / Film

Film

Showing 1–30 of 285 resultsSorted by average rating

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    Anthony Hopkins

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    Seoul Searching: Culture and Identity in Contemporary Korean Cinema

    Korean cinema as industry, art form, and cultural product.
    $36.95 Original price was: $36.95.$27.71Current price is: $27.71.
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    Sex Scene: Media and the Sexual Revolution

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    SF: The Japanese Science Fiction Film Encyclopedia

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    The Sagebrush Trail: Western Movies and Twentieth-Century America

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    Savage Junctures: Sergei Eisenstein and the Shape of Thinking

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    Screens Fade to Black: Contemporary African American Cinema

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    Screening Youth: Contemporary French and Francophone Cinema

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    Screening Schillebeeckx: Theology and Third Cinema in Dialogue

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    Screening the Male

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    The Search for Sam Goldwyn

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    Raising Kane

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    Reel Change: A History of British Cinema From the Projection Box

    Ten years ago, a technological revolution swept through cinemas around the world, as analogue projectors were replaced with digital equipment. It was not just the plastic medium of film that was removed from projection boxes during this transformation; most cinemas took this opportunity to also evict the human projectionists who were hitherto in charge of screenings. Projectionists had been hidden from the sight of audiences for most of the history of photographic moving image projection, and their redundancies went largely unnoticed and unremarked upon. This book focuses attention on what has been happening behind film spectators' heads for the past 130 years, and attempts to write the history of cinema in Britain from the perspective of its habitually overlooked and undervalued projectionists, beginning in the silent era and continuing to the present day. Drawing upon extensive archival research and lengthy interviews with former projectionists, it documents the key facets and challenges of their work, and how these evolved in response to previous waves of significant technological change. It evaluates how projectionists helped to design and maintain key aesthetic characteristics of the 20th century big screen experience. It shows how the institution of cinema in Britain has been historically underpinned by the harsh exploitation of projectionists by many employers, detailing inadequate wage levels and poor working conditions that formerly provoked government investigation, and explaining why these problems were never successfully ameliorated by trade unions. It also charts in depth the recent fateful transition to digital projection, delineating how and why projectionists were so swiftly and ruthlessly consigned to the past, and assessing whether this form of entertainment should be considered diminished by their super session.
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    Re-Animator

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    Revisioning History: Film and the Construction of a New Past

    In Revisioning History thirteen historians from around the world look at the historical film on its own terms, not as it compares to written history but as a unique way of recounting the past. How does film construct a historical world? What are the rules, codes, and strategies by which it brings the past to life? What does that historical construction mean to us? In grappling with these questions, each contributor looks at an example of New History cinema. Different from Hollywood costume dramas or documentary films, these films are serious efforts to come to grips with the past; they have often grown out of nations engaged in an intense quest for historical connections, such as India, Cuba, Japan, and Germany. The volume begins with an introduction by Robert Rosenstone. Part I, Contesting History, comprises essays by Geoff Eley (on the film Distant Voices, Still Lives), Nicholas B. Dirks (The Home and the World), Thomas Kierstead and Deidre Lynch (Eijanaika), and Pierre Sorlin (Night of the Shooting Stars). Contributing to Part II, Visioning History, are Michael S. Roth (Hiroshima Mon Amour), John Mraz (Memories of Underdevelopment), Min Soo Kang (The Moderns) and Clayton R. Koppes (Radio Bikini). Part III, Revisioning History contains essays by Denise J. Youngblood (Repentance), Rudy Koshar (Hitler: A Film from Germany), Rosenstone (Walker), Sumiko Higashi (Walker and Mississippi Burning), and Daniel Sipe (From the Pole to the Equator).
    $58.00 Original price was: $58.00.$43.50Current price is: $43.50.
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    Revenge of the Sith: Illustrated Screenplay

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    Productive Fandom: Intermediality and Affective Reception in Fan Cultures

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    Project Bollywood

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    Psychoanalysis and Film

    $55.99 Original price was: $55.99.$41.99Current price is: $41.99.
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    Queer Cinema in Europe

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    Quentin Tarantino FAQ: Everything Left to Know About the Original Reservoir Dog

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    Queering the Migrant in Contemporary European Cinema

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    Persistent Images: Encountering Film History in Contemporary Cinema

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    Policing Cinema: Movies and Censorship in Early-Twentieth-Century America

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    Policing the World on Screen: American Mythologies and Hollywood’s Rogue Crimefighters

    This book analyzes Hollywood storytelling that features an American crimefighter—whether cop, detective, or agent—who must safeguard society and the nation by any means necessary. That often means going “rogue” and breaking the rules, even deploying ugly violence, but excused as self-defense or to serve the greater good. This ends-justifies-means approach dates back to gunfighters taming the western frontier to urban cowboy cops battling urban savagery—first personified by “Dirty” Harry Callahan—and later dispatched in global interventions to vanquish threats to national security. America as the world’s “policeman often means controlling the Other at home and abroad, which also extends American hegemony from the Cold War through the War on Terror. This book also examines pioneering portrayals by males of color and female crimefighters to embody such a social or national defender, which are frustrated by their existence as threats the white knight exists to defeat. 
    $69.99 Original price was: $69.99.$52.49Current price is: $52.49.
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    Politics in Popular Movies: Rhetorical Takes on Horror, War, Thriller, and Scifi Films

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    Popular Cinema of the Third Reich

    Too often dismissed as escapist entertainment or vilified as mass manipulation, popular cinema in the Third Reich was in fact sustained by well-established generic conventions, cultural traditions, aesthetic sensibilities, social practices, and a highly developed star system—not unlike its Hollywood counterpart in the 1930s. This pathfinding study contributes to the ongoing reassessment of Third Reich cinema by examining it as a social, cultural, economic, and political practice that often conflicted with, contradicted, and compromised the intentions of the Propaganda Ministry. Nevertheless, by providing the illusion of a public sphere presumably free of politics, popular cinema helped to sustain the Nazi regime, especially during the war years.
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    Postmodernism and Film: Rethinking Hollywood’s Aesthetics

    $22.99 Original price was: $22.99.$17.24Current price is: $17.24.
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    The Post-2000 Film Western: Contexts, Transnationality, Hybridity

    $54.99 Original price was: $54.99.$41.24Current price is: $41.24.
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    Post-Pop Cinema: The Search for Meaning in New American Film

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