In form, it flows as freely as an improvisation, with fantasy, allegory and intimations of reality mingled into a weird, stirring unity. . . . Genet’s investigation of the color black begins where most plays of this burning theme leave off. . . . This vastly gifted Frenchman uses shocking words and images to cry out at the pretensions and injustices of our world. . . . One of the most original and stimulating evenings Broadway or Off Broadway has to offer. -Howard Taubman, *The New York Times*