Set in San Francisco and in a remote village of southern China, this is a tale of American pragmatism shaken, and soothed, by Chinese ghosts. What proof of love do we seek between mother and daughter, among sisters, lovers, and friends? What are its boundaries and failings? Can love go beyond ‘Until death do us part?’ And if so, which aspects haunt us like regretful ghosts? In 1962, Olivia, nearly six years old, meets Kwan, her adult half sister from China, for the first time. Olivia’s neglectful mother, who in pursuing a new marriage can’t provide the attention her daughter needs, finds Kwan to be a handy caretaker. In the bedroom the sisters share, Kwan whispers secrets about ghosts and makes Olivia promise never to reveal them. Out of both fright and resentment, Olivia betrays her sister — with terrible consequences. From then on she listens to Kwan’s stories and pretends to believe them. Thirty years pass, and Olivia is about to divorce her husband, Simon, after a lengthy marriage. She is certain he has never given up his love for a former girlfriend, who died years before. Kwan and her ghosts believe otherwise, and they provide Olivia with ceaseless advice and pleas to reconsider. But Olivia has long since dismissed the ghosts of her childhood and the wacky counsel of her sister. Just as Kwan anticipates, fate intervenes and takes her, Olivia, and Simon to China. In the village where Kwan grew up, Olivia confronts the tangible evidence of what she has always presumed to be her sister’s fantasy of the past. And there, she finds the proof that love endures, and comes to understand what logic ignores, what you can know only through the hundred secret senses.
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mmooha (verified owner) –
This book is one of those works that has you guessing what is real and what is not. It follows the story, told in first person, by Olivia, a Chinese America woman who gets her Chinese “sister” dropped into her life from overseas when they are both children. The sister, Kwan, is larger than life and I couldn’t decide at first if she was spiritually awakened or mentally ill. What I could decide was that it didn’t matter. Kwan launches into all these stories of ghosts she sees from the World of Yin and tells in graphic detail her former life. By “former life” I don’t mean her childhood in China. I mean, the life she lived before she was reincarnated into this one.
It was grounding to have Olivia’s voice intervene in some chapters to talk about not only her childhood with this extraordinary person that exploded into her life, but also her relationship with her widowed and frequently promiscuous mother, her husband and all his baggage, and her own shortcomings.
I loved every minute of this book. I also learned a lot about Chinese culture, history and the workings of minds that don’t have the American or ever Western perspective. There was a lot of humor in this book, even as it pulled the reader along on a stomach-dropping roller coaster. What I didn’t see coming was the ending. In retrospect, maybe I should have. In any case, it was satisfying without being sentimental or maudlin.
Pick up this book and read it. It’s marvelous.