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Cinema Speculation

$4.99

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

This book is a fun, zippy read through the films that made Tarantino the talent he is today, and it’s probably the closest he’ll come to writing an autobiography.

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**Instant *New York Times* bestseller** **The long-awaited first work of nonfiction from the author of the #1 *New York Times* bestselling *Once Upon a Time in Hollywood* : a deliriously entertaining, wickedly intelligent cinema book as unique and creative as anything by Quentin Tarantino.** In addition to being among the most celebrated of contemporary filmmakers, Quentin Tarantino is possibly the most joyously infectious movie lover alive. For years he has touted in interviews his eventual turn to writing books about films. Now, with *Cinema Speculation* , the time has come, and the results are everything his passionate fans—and all movie lovers—could have hoped for. Organized around key American films from the 1970s, all of which he first saw as a young moviegoer at the time, this book is as intellectually rigorous and insightful as it is rollicking and entertaining. At once film criticism, film theory, a feat of reporting, and wonderful personal history, it is all written in the singular voice recognizable immediately as QT’s and with the rare perspective about cinema possible only from one of the greatest practitioners of the artform ever.

About Author

Quentin Jerome Tarantino is an Academy Award- and Palme d'Or-winning American film director, screenwriter and actor. He rose to fame in the early 1990s as an independent filmmaker whose films used non

Author

Quentin Tarantino

Format

Ebook

ISBN

9780063112582

Language

English

Pages

352

Publication Date

03-15-2022

Publisher

HarperCollins

1 review for Cinema Speculation

  1. Rated 5 out of 5

    Blonde Betty (verified owner)

    I honestly picked this up thinking I would read the introduction and the first essay and then put it on the shelf with the other film books and pick it up when the mood strikes, which is often does. Instead, I was sucked in by the engaging narrative style and sharp examination of a specific set of films. It’s really good! My one quibble is that there should be a table of contents so you can skip around, each essay stands alone.

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