Against the Grain

À rebours (translated Against Nature or Against the Grain) (1884) is a novel by the French writer Joris-Karl Huysmans. Its narrative concentrates almost entirely on its principal character and is mostly a catalogue of the tastes and inner life of Jean des Esseintes, an eccentric, reclusive aesthete and antihero who loathes 19th-century bourgeois society and tries to retreat into an ideal artistic world of his own creation. À rebours contains many themes that became associated with the Symbolist aesthetic. In doing so, it broke from Naturalism and became the ultimate example of decadent literature. Charles-Marie-Georges Huysmans (5 February 1848 in Paris – 12 May 1907 in Paris) was a French novelist who published his works as J.K. (Joris-Karl) Huysmans. He is most famous for the novel À rebours (1884, published in English as Against the Grain or Against Nature). He supported himself by a 30-year career in the French civil service. Huysmans’ work is considered remarkable for its idiosyncratic use of the French language, large vocabulary, descriptions, satirical wit and far-ranging erudition. First considered part of Naturalism, he became associated with the decadent movement with his publication of À rebours. His work expressed his deep pessimism, which had led him to the philosophy of Arthur Schopenhauer. In later years, his novels reflected his study of Catholicism, religious conversion, and becoming an oblate. He discussed the iconography of Christian architecture at length in La cathédrale (1898), set at Chartres and with its cathedral as the focus of the book.