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Theorizing Adaptation
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Kiss the Blood Off My Hands: On Classic Film Noir
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Kubrick’s Cinema Odyssey
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Irish National Cinema
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Iranian Cinema and the Islamic Revolution
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James Bond in the 21st Century: Why We Still Need 007
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Three Films: Smoke, Blue in the Face, and Lulu on the Bridge
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Japanese Mythology in Film
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John Ford Made Westerns
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Idol Worship
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Identity, Nationhood and Bangladesh Independent Cinema
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In Excess: Sergei Eisenstein’s Mexico
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The Transatlantic Zombie
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In the Mood for Love
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Inclusive Screenwriting for Film and Television
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Indian Indies
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The Inner Life of Martin Frost
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Intercourse in Television and Film
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Togo Mizrahi and the Making of Egyptian Cinema
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Time Frames
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The Invisible Cut: How Editors Make Movie Magic
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