A gorgeous literary undertaking told both inwardly towards the personal and outwardly to the collective. Whereas is an innovation, written in English and in Lakota with a constant and meaningful grappling with language throughout. This book is the embodiment of poetry, lyrically written and emotionally resonant.
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Juliet Graham fervently counts the days until her twenty-first birthday, when she can claim the inheritance that will grant her the freedom she has always craved and the guardianship of her younger brother. Until then, she is trapped under her aunt Agnes’s domineering will. When forced to accompany the family to a house party at Shaldorn Castle, Juliet’s only objective is to keep to herself. That is, until a chance encounter with a boorish stranger stirs up an unexpected whirlwind of emotions in her. Thrown off-balance, Juliet does the unthinkable: loses her temper and insults the man—who turns out to be her unwilling host, the Duke of Halstead. Fully expecting to be sent away, Juliet is surprised when the brusque and callous duke instead takes an interest in her.
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Haunting of Hill House meets found-footage horror in this edge-of-your-seat thriller that explores the power of family ties and the trauma that lurks there.
When Sophia Galich was twelve, she starred in her older sister Layla’s amateur horror movie Vermillion, which recorded raw footage of her very real reactions to scenes her sister concocted in their old Californian house on the coast—Cashore House.
In the years after the film’s release, Sophia’s relationship with her sister became more strained, while her memories of the now-infamous house fueled her nightmares. Vermillion amassed an army of fanatical fans who speculated about the film’s hidden messages, and it was rumored that Layla made a pact with the devil—her soul in exchange for fame and arcane knowledge. Sophia dismissed this as gossip…until Layla disappeared.
Now, Sophia must study the trail of clues Layla has left behind, returning to the very place where it all began. As she gets closer and closer to Cashore House’s haunted heart, she must once again confront the ghosts of her childhood. But the house won’t reveal its secrets without a fight.
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A New York Times Book Review Editors' Choice
A New York Times Bestseller
A New York Magazine Best Book of the Year
An Economist Best Book of the Year
Pulitzer Prize–Winning Author of Gilead
Marilynne Robinson has built a sterling reputation as a writer of sharp, subtly moving prose, not only as a major American novelist, but also as a rigorous thinker and incisive essayist.
In When I Was a Child I Read Books she returns to and expands upon the themes which have preoccupied her work with renewed vigor.
In Austerity as Ideology, she tackles the global debt crisis, and the charged political and social political climate in this country that makes finding a solution to our financial troubles so challenging. In Open Thy Hand Wide she searches out the deeply embedded role of generosity in Christian faith. And in When I Was a Child, one of her most personal essays to date, an account of her childhood in Idaho becomes an exploration of individualism and the myth of the American West. Clear-eyed and forceful as ever, Robinson demonstrates once again why she is regarded as one of our essential writers.
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Over ten years since Inside Out and Back Again first captivated readers, author Thanhhà Lai brings us back to Hà’s story, picking up two years later. Though set in the past, this poignant novel in verse – inspired by the author’s own childhood – is a timely tale depicting the nuanced experience of a young person seeking refuge in America.
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Robert Hirsch’s Exploring Color Photography is the thinking photographer’s guide to color imagemaking. Now in its sixth edition, this pioneering text clearly and concisely instructs students and intermediate photographers in the fundamental aesthetic and technical building blocks needed to create thought-provoking digital and analog color photographs. Taking both a conceptual and pragmatic approach, the book avoids getting bogged down in complex, ever-changing technological matters, allowing it to stay fresh and engaging.
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Sometimes, only the most heartbreaking memories possess the capacity—in their elegiac immediacy—to take our breath away. With Excellent Things in Women, Sara Suleri offers the reader a delicately wrought memoir of life in postcolonial Pakistan. Suleri intertwines the violent history of Pakistan's independence with her own intimate experiences—relating the tumult of growing up female during a time of fierce change in the Middle East in the 1960s and ’70s. In the two selections presented here, “Excellent Things in Women” and “Meatless Days,” we watch as Suleri re-encounters the relationships that inform her voyage from adolescence to womanhood—with her Welsh mother; her Pakistani father, prominent political journalist Z. A. Suleri; and her tenacious grandmother, Dadi, along with her five siblings—as she comes to terms with the difficulties of growing up and her own complicated passage to the West.
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