This classic of film criticism, long considered invaluable for its eloquent study of a problematic period in film history, is now substantially updated and revised by the author to include chapters beyond the Reagan era and into the twenty-first century. For the new edition, Robin Wood has written a substantial new preface that explores the interesting double context within which the book can be read-that in which it was written and that in which we find ourselves today. Among the other additions to this new edition are a celebration of modern screwball comedies like *My Best Friend’s Wedding* , and an analysis of ’90s American and Canadian teen movies in the vein of *American Pie* , *Can’t Hardly Wait* , and *Rollercoaster*. Also included are a chapter on Hollywood today that looks at David Fincher and Jim Jarmusch (among others) and an illuminating essay on *Day of the Dead*.